Yai is determined to help Jom while Jom plans a party with everyone before he completely disappears.
Jom’s inevitable departure is coming but Yai doesn’t want to give up and tries to find ways to stall his disappearance. Will there be a happy ending for everyone?
WARNING: SPOILER AHEAD. Read at your own risk!
Following Yai’s discovery of Jom’s transparent reflection in the mirror, Jom opens up and shares his story. Yai is in disbelief but trusts that Jom will not lie to him. Jom reassures Yai, emphasizing that he’s not a ghost, and brings his hand to his cheek. However, the fear of eventually disappearing and being forgotten by everyone scares him, bringing him to tears. In this emotional moment, Yai offers comfort by embracing Jom. At night, Jom and Yai, unable to sleep, engage in a heartfelt conversation about their relationship and its uncertain future. However, Yai assures Jom that, in the present, they are lovers, and what he needs to do is not let him carry the weight of worry alone. Touched by Yai’s support, Jom embraces him, while Yai tenderly strokes his hair. Jom expresses his gratitude for Yai, remembering how he initially didn’t want to stay but all of his thoughts changed after meeting him. He appreciates Yai for teaching him many things and for understanding someone like him, who holds no honor in society, unlike Yai’s esteemed family. In response, Yai reminds Jom that he has been the reason for the change within the Palathip household and expresses his gratitude. He emphasizes Jom’s importance within the House of Palathip, not just as a lover but also as a family member. Eeang Peung receives unexpected news from the doctor, who confirms her pregnancy, leaving her, Maey, and Fong Kaew in shock. Meanwhile, Eeang Peung paces anxiously inside the room, overwhelmed by the knowledge that she is carrying Robert’s child. Even though he’s no longer a part of her life, he has left her with the heavy burden of pain and sorrow. Maey enters the room and consoles Eeang Peung who weeps in Maey’s comforting embrace, resenting the fact that she’s bound to the child of a man who has brought her nothing but suffering. Meanwhile, Fong Kaew sits by the pier, lost in thought. Khamsan approaches her, and she reveals Eeang Peung’s pregnancy with Robert’s child. They share their sympathy for Eeang Peung’s inability to escape the influence of her foreign husband. Fong Kaew is deeply troubled by her actions, feeling guilty for the role she played in Eeang Peung’s life. Khamsan reassures her that she did what she could, thankful that Robert did not subject her to the same fate. Fong Kaew tells Khamsan that she’s no longer the same person she used to be, her tears falling. Her revelation takes aback Khamsan, but Fong Kaew believes that he deserves someone better than her. She shares a final kiss with him before departing. Khamsan tries to stop her, but Fong Kaew insists on leaving.
Yai and Jom sit together, examining the sketches Jom drew. Jom tells him about the strange events that happened after he created these sketches. Yai, realizing that Jom’s sleepwalking episodes were linked to the visions he experienced, asks about how Jom knew to draw these specific pictures. Jom then shares an astonishing revelation – he had seen these sketches before in one of the old chests at the House of Palathip in the future. He speculates that the person who likely preserved these drawings was none other than Yai himself. After, Yai watches as Jom visits Hope at the farm. He encourages Jom to draw Hope again, hoping it might provide more answers. Jom, however, explains that he attempted to draw the house before but didn’t experience any visions. Yai insists they should give it another try, but Jom is hesitant. He worries that drawing this time might cause him to vanish completely. Their conversation falls into a heavy silence. Yai is torn, feeling desperate about the situation and unsure about the right course of action. He wants Jom to stay with him, yet he also believes that letting Jom return to his own time is better than watching him disappear before his eyes. Jom eventually begins sketching Hope, reassured by Yai’s presence as he works. This continues, with Jom sketching the house while Yai is lying down on his lap on another day. Jom attempts to draw Yai while he’s lying down half-naked on the bed, but he becomes disheartened by the effort. Yai then asks about the chest or any other pictures that Jom hasn’t drawn yet. Jom remembers a sketch of a man standing under a tree but begins to feel distressed as he tries to remember it more clearly. Yai steps in to calm him down and proposes that he has a picture he’d like Jom to draw for him. He reveals that he wishes Jom to sketch a picture of him, facing each other as they sit together on the bed. Jom questions why Yai suddenly wants a portrait of himself, to which Yai explains that the last time Jom drew him was when he was drunk, and he doesn’t want that sketch to be seen by anyone. Jom reassures him that he won’t let anyone see what he’s currently drawing anyway, especially since it features Yai topless. Yai playfully teases Jom about being jealous, and Jom confesses, earning a cheek pinch from Yai. Yai gazes at Jom and expresses his desire to remember him with his own eyes. He then showers Jom with kisses, causing them to abandon the portrait Jom is drawing.